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Ingrid Siliakus - Paper architect/artist

1001 nights - 1999
Longview Mansion - 2008
Fourth of a serie - 1999
Windows to balcony - 2008
Signature revived - 2008
In general - 2006
Blocked - 2008
Close up - 2009
Womanity - 2006
Abstract - 2007
Press - 2003
Nemo - 2009
Pavilion encaged folded - 2007
Elevation - 2007
Escalator 2 - 2008
View from the side - 2009
Escalator - 2008
350 West Braodway, New York - 2009
Cathedral - 2000
Womanity 2 - 2006
Prototype 2 - 2006
Trapasie - 1999
Overview - 2007
Little reflections - 2008
Science and Technology Park Bolzano left part - 2008

Ingrid Siliakus (1955),

Paper architect/artist,

Amsterdam, The Netherlands.

 

Ingrid Siliakus first discovered paper architecture by seeing work of the originator of this art form Prof. Masahiro Chatani (architect and professor in Japan). He developed this art form in the early 1980's. Ingrid was instantly fascinated by the ingenious manner in which these pieces were designed and by the beauty they radiated. Ingrid studied the originator's work for some years and than started to design herself. Ingrid states that working with this art form has given her personal means of expressing. Her designing skills have grown over the years. Her specialties are buildings of master architects and intricate abstract sculptures. Her source of inspiration by these abstract sculptures are works of artists like M.C. Escher. With buildings she feels attracted to work of Berlage and Gaudi. 

 

Paper Architecture is the art of creating an object out of a single piece of paper. Before the final design is finished, something like 20 to 30 (sometimes even more) prototypes are made by Ingrid. Drawing paper architecture designs to Ingrid is as building: first one layer, with a single shape, will be drawn and than layer after layer are added. This process continues till she is satisfied with the result. All separate prototypes are cut and folded, to be examined by her. To design a pattern from scratch, the artist needs the skills of an architect to create a two-dimensional design, which, with the patience and precision of a surgeon, becomes an ingenious three-dimensional wonder of paper. After the design stage, creating a paper architecture art work is done by a combination of detailed cutting and folding. The paperweight Ingrid uses for her creations varies from 160 to 300 gram. 

    

Statement of the artist (for the Holland Paper Exhibition in 2006): '...Working with paper forces me to be humble, since this medium has a character of its own that asks for cooperation. It is a challenge to find this cooperation with each separate paper brand I work with. Working with paper the way I do, namely by means of cutting and folding creating paper sculptures, asks of me to work with meditative precision. Paper architecture does not bare haste, it is its enemy; one moment of loss of concentration, can lead to failure of a piece...' '...I experience an ultimate satisfaction at the critic moment when the paper, with a silenced sigh, surrenders and becomes a blade-sharp crease. The sound of the paper, which guides this surrendering, to me is incomparable...'